Are 3-D logos ruining or revolutionizing logo design?

brandchannel is hosting a 'branddebate' on this topic. As they state in their introduction of the topic: "On the front lines of the branding industry - among the designers - an ongoing battle is being waged over an essential branding component: logos, and in particular, 3-D, or dimensionalized, logos..."

It used to be said that format restrictions were a primary functional limitation that informed the decision making process of logo designers. Thoughts like 'it has to look good in black and white', or 'our budget only supports two color printing' often informed the amount of detail and color that made up a logo design. With the web and better/cheaper printing, these two primary limitations have less bearing on the design process (but don't forget about low quality fax cover pages!). Overall, it is now more of a pure design decision. What level of detail, color, and dimensionality will best serve the brand you are representing with the logo design?

Read some interesting opinions on both sides of this topic at brandchannel.com

Album Cover Designers: The New Iconographers

When I was younger, I distinctly recalled noticing the dilemma faced, by album cover designers, when cassette tapes were introduced. Going from the large format LP to the small awkwardly vertical cassette cover had a big impact on design solutions. The CD reintroduced a canvas more square in shape but still diminutive compared to a real "album cover". Fast forward to today and you can see the latest challenge for album cover designers, the digital version of album art. Digital music players like iPod and Zune, that can now display album art, have reintroduced the importance of design and branding in music. There was a stretch there, where artwork was not so easily attached to the digital music. Apple's Coverflow (purchased from original creator steelskies) reintroduced the metaphor of browsing through a pile of records, albeit very tiny records .

How will this change trends in album art design? Will there be bolder, larger, simpler designs? Or is this no different from the challenges faced by traditional LP cover designers who aimed to make a large format record stand out on a shelf in a record store? We shall see, but I expect to notice a greater influence as album art designers start thinking like icon designers. One recent example, Trent Reznor of Nine Inch Nails just released a free full length recording "The Slip". Like his last free album before it (Ghosts), each song has its own piece of artwork associated with it. 10 'covers', and a PDF booklet for one 'album'- now that's something new.

Where does design belong in your organization?

Here's a nice article from cooper.com: "These days, more and more companies are recognizing that design and innovation are essential to their strategy and bottom line: effective design sells products and services, improves your position in the marketplace, and turns customers into loyal advocates for your brand. If you've gotten your organization to this point, take a moment to enjoy your success! Creating demand for design is no small achievement. Unfortunately, to reap the full benefits of design, you probably still have a lot of work to do on your organization's structure, processes, and culture.

One of the first things you need to do is determine where in your organization design belongs..."

Major points covered are:

• In-house vs. outsourced
  
• Internal consultancies
  
• Design teams assigned to products long-term
  
• A blended approach
  
• What's right for your organization
  

Read the full article at cooper.com

Cause/Effect, Design As Change Agent

The Pursuit of Design | VIDEO: "Zoom In Online presents the first in a new Pursuit of Design mini-series, "Cause/Effect". This episode features "Design As Change Agent", a one-day event taking place at Parsons The New School. In this video, a wide range of designers, creatives and artists gather with students to discuss how design can be a powerful agent for change on both the local and global levels..."

Click here to watch the video online

Flow - What Adobe Version Cue should have been?

GridIron Software Announces "Flow" - A revolutionary approach to content management: "Flow is a revolutionary approach to digital content management that dramatically simplifies the design process for creative professionals working on graphic design, web and video projects. Flow automatically tracks your work from idea to end result and manages your assets and applications for your most complex projects- all without changing the way you work."

Flow was included in the Macworld Best of Show winners list. The information about the forthcoming product on their site shows a lot of promise. Now that Leopard has incorporated Coverflow into the finder, and Adobe Version Cue + Bridge has lacked traction, the timing could be good for a desktop-based asset management tool that moves beyond tracking files and adds some intelligence regarding process, versioning, and (ahem) "flow".

Features that seem like standouts include: Workflow Maps; Workflow Calendar; Visual Versions; Project Packages; Project Reports.

There's a difference between ALL of the files that someone generates for a project, versus the smaller subset of files that they may want to actually share with a workgroup or client. While some Web 2.0 DAM solutions like fluxiom or box are great for the latter, flow might be an intelligent bridge between what you have and what you need to share.

They are accepting Beta program requests. I'll be keeping an eye on this software.

Finally! - Email Standards Project

Email Standards Project: "The Email Standards Project works with email client developers and the design community to improve web standards support and accessibility in email."

I'm very happy to see an organized attempt to address the issue of poor and inconsistent industry-wide support for rich email (html email). The Email Standards Project looks like the bandwagon to jump on. The site has a great chart right on the homepage showing popular email clients (desktop and web-based) and their rating in terms of standards support. The project has come up with an "acid test", much like the Web Standards Project, that is used to fairly and consistently test the ability of a given email client.

Check out the site, join the email list or spread the word.

Vitamin: "Creating Sexy Stylesheets"

Vitamin Features - Creating Sexy Stylesheets : "Being a CSS expert is more than just memorizing selectors. It’s also working to improve the maintainability and efficiency of your stylesheets, planning for the future and mastering your workflow. In this article Jina Bolton gives 10 CSS tips culled from surveys with 12 top designers."

This article summarizes common best practices and also introduces some handy tips and tricks for things you can do to optimize the CSS workflow for multiple contributors. Bottom line is keep it clean and think ahead to what it will be like to have to open up your CSS file 6 months later - 'what was that selector named again?...'

Adobe Delivers Flash Player 9 with H.264 Video Support

"HD Quality Web Video and Audio Now Available With Adobe Flash Player Update... Adobe Flash Player 9 now includes H.264 standard video support, the same standard deployed in Blu-Ray® and HD-DVD® high definition video players, and High Efficiency AAC (HE-AAC) audio capabilities. The latest update also features hardware accelerated, multi-core enhanced, full-screen video playback for high-resolution viewing across major operating systems and browsers. The combination of Adobe Flash Player 9 and Adobe Flash Media Server 3 (also announced today) enables the delivery of HD quality video to the broadest online audience. Adobe Flash Player 9 Update 3 is available immediately at http://www.adobe.com/go/getflashplayer"

read more | digg story

Four Paths to Mobile Web Design and Deployment

Here's a handy article...

creativepro.com : "In this excerpt, well-known -- and better yet, well-respected -- Web designer Cameron Moll explains four ways to design and deliver standards-compliant content for mobile devices:Do nothing with your current Web siteReduce its images and stylingUse handheld style sheetsCreate mobile-optimized contentCameron lays out the pros and cons of each method and includes real-life examples of how content from sites following each of these methods displays."

Amazon finally eliminates tabs in favor of menus

It's the end of an era. Tabs are gone, long live drop-menus! Amazon has launched a redesign that more appropriately organizes their store sections into primary left-hand navigation with sub-menus. This is a vast improvement to the lonely few tabs that had been up at the top for a while now. That single giant drop menu is thankfully gone as well. Amazon was the dot com tab innovator, so it must've been hard to let got. But hey, there aren't any more white iPods anymore either. So, I guess if you have a site with white tabs, you are really behind the times now? ;-P

Icon Design: Anti-Aliasing

This is a great how-to article covering the process for tweaking vector art in pixel-preview mode so that the 16x16 versions of the icons do not suffer in quality compared to the larger sizes you may be targeting.

70 Expert Ideas For Better CSS Coding

via digg: "Smashing Magazine does it again with a superb list of little CSS tips & tricks to increase your productivity."

This is an excellent compilation of many of the tips and tricks posted to digg, but all rolled up in a nicely organized package with plenty of source-links to expand on the techniques outlined. There's definitely a buzz around what's to be considered "Best Practices" when it comes to CSS design and development. I see a strong opportunity out there for the development of a tool or app that puts a ui on top of these practices, making it easier to replicate across multiple projects.

read more | digg story

A List Apart: The Web Design Survey, 2007

The Web Design Survey, 2007: "Designers, developers, project managers. Writers and editors. Information architects and usability specialists. People who make websites have been at it for more than a dozen years, yet almost nothing is known, statistically, about our profession. Who are we? Where do we live? What are our titles, our skills, our educational backgrounds? Where and with whom do we work? What do we earn? What do we value?"

Give it a go to improve the findings, and you may even win something...